About the Game

About the Game


'Steam Punk Robots' will be an immersive 3D game designed to run on Mac/PC platforms. It will be compiled in Unity and coded using C# and a Plugin called Playmaker.

The theme of the game is steam punk; it features a playable character called 'Rusty', who is a Foreman in charge of the worker robots working on the space station. While working one day, small objects start to land on the station. They turn out to be transmitters transmitting a signal that turns the workers against Rusty so they can take over station. The only chance Rusty has of saving the space station and himself is to find and decommission the various transmitters controlling the worker robots, and find out who is sending the transmitters and stop them.
As the player, you take control of 'Rusty' and must work your way through a multitude of engaging levels and tasks whilst avoiding various obstacles, and the worker robots. Each level will feature three different routes of difficulty and levels can be completed by finishing any one of the routes. This gives players of all abilities the chance to play through and complete the game, whilst not impacting on their enjoyment.
Each level will have items to pick up that will aid you on your mission to complete the game. Some of these will give the player a performance boost, whilst others will be crucial to completing the level.
All the characters within the game will be created to be appealing to players of all ages. Our aim for the game is to be able to get children and adults to play it and enjoy it equally. Great care will be taken in designing characters and levels that are complicated enough to engage adults whilst simple enough to encourage children to play.

Sunday 17 March 2013

Research into game music/next weeks task


My reading for this dissertation has mostly been on A.I. behaviours, and how important it is to get right within a game. Because of this, I thought I would research another subject that I have completed, Music and effects in games.

This has been a topic that I have recently completed on both my dissertation and group game. It was clear in both games that there was a lack of atmosphere, part of which was caused my a lack of music and sounds.

'Music not only gives you something good to listen to while playing, but when done right creates an emotional connection to the game that can’t be replicated any other way.' (1)

Like the purpose of all great music, it's supposed to change your heart rate — to move you and make you feel.  (2)

The quote above emphasises what I feel is important with music in games. While it is something, which isn't necessarily appreciated by a majority of players, without it a gaming experience would be empty of any character and substance. Music, when done correctly, engages players without them even realising.

Firstly, I looked into a range of games. Some where similar to this dissertation project and others were completely different. I wanted to get a feel of what sort of music fitted in with what style of game.

Below is a video showing a users top 10 best songs from the video game, 'Zelda: Ocarina of Time'. This music is some of the best I have ever heard when playing through a game. It fits in perfectly with the surroundings the players find themselves in. 



The first song is taken from a carnival section of the game. The player automatically gets drawn into the atmosphere of the fun bonus area within the game by the up tempo, chirpy music.

The second song comes from an area of the game that is mysterious and quite challenging. Puzzles need to be solved and enemies defeated in the temple, set in the middle of a large desert. The music gives the feel of an Arabian desert with plenty of intrigue. Fantastic!

The third song is from the beginning stage of the game. At this point, the game world is a happy place and everyone around you is friendly. You can tell this by the quick, lively, lighthearted tune.

The fourth song is taken from where the player first learns to ride a horse. It's a ranch where everything happens at a slow moving pace. It's a friendly place with farmers going about their business in their own time. Again, this is perfectly reflected in the music. It's a lot slower than the previous tunes and captures the atmosphere to perfection. The melody also has significance within the game, with the player having to play it on their ocarina it in order for their horse to return to them.

The forest temple is one of the most mysterious places within the game. It's home to ghosts and phantoms. The music follows the pattern of some of the other levels but has a tone of mystery and intrigue about it that immerses the player into the environment.

The sixth song is taken from a happy time in the game. It's where the player gets reunited with Zelda. The tone is similar to when the player first sees Zelda but this time, it has a sense of sadness about it, reflecting what has gone on but overall the tone is a happy one.

The seventh song in this video is taken from a level within the game that is full of witchcraft. It's quite a fast paced environment and this is reflected in the quick tempo music. It also has a sense of wizardry and madness, which is cemented by the speedy, high ocarina main notes.

The eighth song, taken from the Lost Woods, is another happy area within the game, at least initially. Fairies populate it and I think the lighthearted tone identifies this very well.

The market is another area filled with friends and not foes. It has many palace guards patrolling it, however, and I think the uniform sounds within the music represent this. It just has the perfect feel of a lighthearted area within the music

Number one on this list is also my personal favourite. It fits the area of the game to perfection. It has a sense of the Arabic desert about it with the notes on the harp. Also, the area has a palace and I think this, along with the guards and trained swordsmen are represented when the harp stops playing. A fantastic background tune for a terrific section of the game.

Below is another good example of platform game music. This time, from the game Spyro: A Hero's Tail


Spyro was what originally got us into making, 'Rusty and the Cogbots'. The game plays in a similar style to ours by having very cartoon oriented graphics and many tasks to undertake along with various enemies. While this music wouldn't necessarily fit our game, the idea of high tempo, lively music would definitely work.

Below is another example of game music. This time, taken from Goldeneye 007 on the Nintendo 64.


This music is absolutely tremendous when playing the game. Taken directly from the film of the same name, this music plays when you are at the last section of the game, getting ready to try and kill the final boss. Being a realistic environment where killing everything around you is the general objective, the music does a fantastic job of getting the player pumped up and ready for the action to come. It's an example that wouldn't work within our game. The two are completely different and this style of music would have a negative effect on the user experience.

So, it's clear to me that while music can sound fantastic and engage players into a gaming environment it can also, if used incorrectly, ruin the feel of a game entirely. Below is a link to various videos, which show some the worst game music ever.... enjoy!

http://www.vgchartz.com/article/7610/vgc-top-ten-worst-instances-of-videogame-music/

This link is also a very good listen. It explores popular game music and how it's evolved with technology. It also tells how much recognition is now being given to video game scores.
 http://www.bbc.co.uk/programmes/b00yj887


(1) Mulkin, Shane; May 19 2012; http://www.thextremepulse.com/the-importance-of-music-in-gaming/

(2) April 13 2008; http://www.npr.org/templates/story/story.php?storyId=89565567


Next week, I plan to have a main menu screen ready for the game. Doing the artwork for this should be really enjoyable.

Written by Phil

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